"Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.
The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano."
|Composer||Wolfgang Amadeus Mozart|
|Work||Symphony No. 41 in C Major 'Jupiter', K. 551|
|Orchestra||The Vienna Philharmonic Orchestra|
|Date Recorded||11th January 1938|
|Date Restored||19th December 2015|
|Serial Numbers||HMV DB3428-31|
|Bandwidth||35Hz to 8kHz|
|Transfer Stylus||2.8 mil truncated elliptical|
|Transfer Cartridge||Stanton 500 at 5g|
|Transfer Turntable||Hitachi HT-350 at 78RPM|
|Cutter Compensation||300Hz first order lift down to 30Hz|
|Click Reduction||DeClick, wavelet mode, 62, 2 passes|
|Crackle Reduction||DeCrackle, wavelet mode, 60, 2 passes|
|Low Frequency NR||DeNoise LF, mono, 150Hz, -57dB|
|Wideband NR||DeNoise, auto noise floor, -10dB reduction|
|Limiting Filter||48dB/octave Butterworth, at bandwidth limits|
|Additional Eq.||None needed|
This is a great recording for its era, with bandwidth extending right up to 8kHz, but most impressively all the way down to 35Hz for the timpani. This is the first full transfer I have done using the automatic noise floor feature in DeNoise, with excellent results, yielding a much better sensitivity to low level information towards the end of each side as the noise floor drops off. There are 7 sides in total, with some rather sneaky (if I say so myself) edits to ensure continuity.
The audio tracks listed on this page are digital restorations of 78 RPM records in my possession, whose mechanical copyright has expired before the time of this pages publication. No later release is used so any copyright affecting such a release does not apply to any of the sound recordings shown on this page. Claims to the contrary may be vexatious if pursued. Any communication between parties claiming copyright of the material on this website and the author of this site will be published immediately with great derision. The contents of this page must not be copied represented or sold without express permission.
Michael Fearnley 2015